We’ve given a long list of examples to show how critical literary context is for interpreting Bible verses. Many of our favorite and most-quoted verses either find greater nuance or challenge our presumption when we read them in the context of the argument or story in which they reside.
But different kinds of literature work in different ways. And “context” does not always work in exactly the same way.
Take, for example, the Psalms. While each psalm is a self-contained poem that ought to be read in its own right—and not twisted to say whatever we want it to say—”context” in the psalms is more fluid than in other books of the Bible. The poetic/literary context may help us to avoid clear misinterpretation. But there is another equally important context for these poems: Israel’s life of worship and personal devotion. Similar to how we might quote a line of a favorite hymn without deep analysis of the statement’s context, we might find ourselves using Psalm verses in the same devotional manner.
For example, before I can quote or sing, “hither by Thy help I come,” must I first understand what an “Ebenezer” is (Come Thou Fount, verse 2)? For another example, I can find encouragement that “I once was lost but now am found” without having to explain in detail that this amazing grace is a sweet-sounding doctrine that saves wretches like me.
Why can I say this about the Psalms? Where does this idea come from?
From looking at how the Psalms were actually used in ancient Israel. If we look at Old Testament examples of people referencing the Psalms, they rarely quote an entire psalm. Instead, they mash together a pile of quotes from a variety of psalms. This mash of verses becomes a newly sung or prayed poem in its own right.
Example #1: Relocating the Ark
When King David moves the ark of the covenant back to Jerusalem and sets it inside his new tent, a celebration erupts, rife with harps, lyres, cymbals, trumpets, and singing (1 Chr 16:1-7). And the song they sing that day is recorded for us:
- 1 Chr 16:8-22 largely matches Psalm 105:1-15 (only the first third of the psalm).
- 1 Chr 16:23-33 has been modified from Psalm 96:1-13 (most of the psalm, but with a few lines omitted).
- 1 Chr 16:34 concludes with a common introductory refrain from many psalms (Ps 106:1, 107:1, 118:1, 118:29, 136:1 ).
- 1 Chr 16:35-36 presents a second, responsive song, consists of a modification of Ps 106:47-48.
So here, in a concrete example of Israel’s worship, we see selections from at least 3 psalms mashed together with a refrain found in four other psalms. They did not need to clarify, to take one example, the context of Psalm 105 or 106 (the ups and downs of Israel’s history) in order to sing the “praise verses” from those psalms as part of the medley.
Example #2: Praying in the Fish’s Belly
We have a more rapid-fire example of selecting an assortment of verses and mashing them together in Jonah 2. This example also shows us not the corporate worship of the assembled people, but the private worship of a man crying out to his God.
- Jonah 2:2 = Ps 120:1, Lam 3:55-56
- Jonah 2:3 = Ps 88:6-7, 42:7
- Jonah 2:4 = Ps 31:22
- Jonah 2:5 = Lam 3:54, Ps 69:1, 18:4-5
- Jonah 2:6 = Ps 116:3, 9:13, 30:3
- Jonah 2:7 = Ps 142:3, 143:5, 18:6, 88:2, 11:4
- Jonah 2:8 = Ps 31:6
- Jonah 2:9 = Ps 50:14, 26:7, 22:25, 116:14, 116:18, 3:8
Now you’ll notice that the lines from Jonah are not typically exact quotes of the related psalm verses. But it should be easy to see how those verses from many psalms have shaped Jonah’s prayer. He’s taken all the verses about watery judgment, earthen graves, and rising up to call upon the Lord, and he’s compiled them to make the prayers of many psalmists his own.
Conclusion
While we are never justified in using a psalm verse in a manner contrary to its meaning in the context and flow of the poem, it is clear that we can and should draw on verse selections, or compilations of verse selections, to inform both our corporate and personal worship. We do not violate the principle of “context” if we take a selection of verses with a common metaphor and combine them into a new poem.
Leave a Reply